![]() Some sounds are not bad: synthetic sounds, organs, accordions, and trumpets. The sounds are not programmable or changeable, just the possibility of making a few layers Thus it's very simple for routine use, off-putting to go further. ![]() It is possible to create one's own styles, but it's a real grind and was quickly abandoned. Simple to use, touch function, direct access to sounds. It was the top in 1992-93 but is now outdated One hundred sounds for the right hand, 48 styles for the left. It is pretty addictive though if you are just messing our with it, but as I stated I wont be using it in any of my compositions as my style is very up to date. Call around and see if you can actually still get your hands on one of these. But if you are a vintage buff then you will love it just like we all did back in the 90’s. Don’t expect to get this and want to use the sounds in your music if you are playing up to date stuff. Overall, a board like this would only be sought after if you are into vintage equipment. Just some basic reverb chorus and maybe some rotor effects. The effects that are built in are the best, they are very basic and standard and nothing that will leave you shocked. I recently saw one at a music store in the used section which is what inspired me to write this review on here. ![]() The sounds is pretty good, nothing I could see myself using anymore though, but many years back I was really into this board. ![]() The pitch been wheel is a little stiff even now still it is 20 years later. It is a 61 not board with velocity and also pitch bend. No need for instructions or manuals as long as you have a basic knowledge of keyboards and equipment. It is very easy to understand and to start using. I havent really heard to much from Solton as far as production goes since this line of boards and maybe a few before it. But it still gets used in most studios that carry vintage keyboards. The Solton MS5 seems like it has been around forever, it has probably been around since the mid 90’s or so. ![]()
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